Every sculpture begins with a close and detailed look at the subject, which
I generally do using a collection of images. I spend time studying these images so as to
gain a better understanding of the defining features of the subject in hand. I also
produce drawings on which I record vital information such as all the key
measurements I need to produce a frame to the chosen scale. Once I feel confident I
have all the information I need I progress to making the frame.
I construct my frames using steel rods of
varying grades, the majority of which I weld together giving the structure further
strength and stability. The making of these wire frames is an important and vital
part of the whole process for me, as all the decisions made during this period will
directly effect the finished sculpture. I spend a great deal of time making sure that
all the lines, curves and shapes that I feel truly communicate the subject's character
and nature are captured at this stage.
Once the wire frame is complete I am ready to begin working the willow into
the frame. I very much enjoy the way each piece of willow begins to define the sculpture.
During this process, as the frame and willow become one, I am working to further
develop the shapes outlined by the frame and beginning to instil a sense of movement and
energy within the willow sculpture.
Once the sculpture is complete I allow the willow to dry and then
spray each sculpture with a mixture of Tung oil, Linseed oil and natural
Turpentine. This not only helps to protect the willow from the elements (improving life
span), but also finishes the willow sculpture beautifully by accentuating the willow's
natural colour and texture.
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